But the best jazz Thursday night had to be from British pianist John Law and South African drummer Louis Moholo who put in my favourite set so far in Jazz On The Fringe.
Starting with just a minute of Gershwin, the two master musicians proceeded to weave a wondrous round of rhythmic and melodic textures with a gently percolating energy that periodically took off on surprising tangents. Moholo was a marvel of multi-limbed pulses and Law's poetic feel for melody was totally entrancing as he slid into outside tangents. Wow!
Roger Levesque The Edmonton Journal July 1996